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电影音乐(Movie Music)

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austomedthoughwearetospeakingofthefilmsmadebefore1927as"silent",thefilmhasneverbeen,inthefullsenseoftheword,silent.fromtheverybeginning,musicwasregardedasanindispensableaompaniment;whenthelumierefilmswereshownatthefirstpublicfilmexhibitionintheunitedstatesinfebruary1896,theywereaompaniedbypianoimprovisationsonpopulartunes.atfirst,themusicplayedborenospecialrelationshiptothefilms;anaompanimentofanykindwassufficient.withinaveryshorttime,however,theincongruityofplayinglivelymusictoasolemnfilmbecameapparent,andfilmpianistsbegantotakesomecareinmatchingtheirpiecestothemoodofthefilm.

asmovietheatersgrewinnumberandimportance,aviolinist,andperhapsacellist,wouldbeaddedtothepianistincertaincases,andinthelargermovietheaterssmallorchestraswereformed.foranumberofyearstheselectionofmusicforeachfilmprogramrestedentirelyinthehandsoftheconductororleaderoftheorchestra,andveryoftentheprincipalqualificationforholdingsuchapositionwasnotskillortastesomuchastheownershipofalargepersonallibraryofmusicalpieces.sincetheconductorseldomsawthefilmsuntilthenightbeforetheyweretobeshown(ifindeed,theconductorwasluckyenoughtoseethemthen),themusicalarrangementwasnormallyimprovisedinthegreatesthurry.

tohelpmeetthisdifficulty,filmdistributingpaniesstartedthepracticeofpublishingsuggestionsformusicalaompaniments.in1909,forexample,theedisonpanybeganissuingwiththeirfilmssuchindicationsofmoodas"pleasant","sad","lively".thesuggestionsbecamemoreexplicit,andsoemergedthemusicalcuesheetcontainingindicationsofmood,thetitlesofsuitablepiecesofmusic,andprecisedirectionstoshowwhereonepieceledintothenext.

certainfilmshadmusicespeciallyposedforthem.themostfamousoftheseearlyspecialscoreswasthatposedandarrangedford.wgriffith'sfilmbirthofanation,whichwasreleasedin1915.